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Between The Tall Buildings and Dead Air

by Yin Waster

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1.
leslie 03:31
I’ll be in New York City When my organs rush to their feet They’ll make their escape With not much fuss from me I’m sure they’ll find a hotel Off the remains of Bleeker street I’ll be back at that horrid address Waiting for the waitress to drop the check Analyzing the artifacts Blowing in from 14th and Grand And when the sun comes to the stained glass rooms I’ll take the cue I’ll find that hotel, and ask for what room My organs went too I’ll not knock, i’ll not stay I’ll pay for what they got and let them go on their way
2.
Oh, silver awning merchants Trying to take advantage of my jet lag But I can’t blame them When i’m the one taking up their time Oh, uniformed rain marching to the sound Of its own body meeting the ground It comes out as a chant of Ambages Oh, calm down You’re turning sentimental Calm down, calm down There’s no use in getting that loud Oh, drifting through doorways Dragging my feet through the air Getting caught in the glow Orbiting the Apollo Oh, calm down You’re turning sentimental Calm down, calm down There’s no use in getting that loud Washed out in technicolor Come on, gimme a story Or has it gone by me All swollen I watched you catch ablaze On a million televisions So tell me, what are those satellites Forecasting for tonight
3.
I’m on the surface of sleep Where else is there to be When you’re dancing fifteen stories Above a marquee Counting on clocks to pursue The hours Counting on pillars to hold up The towers Before the Hudson rips me in two Before the ambulance comes into view Before the morgue paints my face To ensure that i’m still awake I’m tossed into midnight again With impressions of cabinets and kitchenettes All craving their place upon a Canvas Like some great lost Ballet Like some long forgotten Play Before the Hudson rips me in two Before the ambulance comes into view Before the morgue paints my face To ensure that i’m still awake Before the Hudson rips me in two Before the ambulance comes into view Before the morgue paints my face To ensure that i’m still awake
4.
It’s 2 AM at the Palmer house, someone’s life is about to end Outside there’s a Winnebago the brown stripes are turning red I could have left the room but instead I stayed The night was just beginning and I hadn’t got its name I was caught in kerosene when I saw the writing on the wall The clocks seemed hurt that I hadn’t left them room to talk But distance is a pleasure, an emancipated thief And companies a drag, a concubine to grief In a pair of borrowed shoes, the night avoided shades of blue No matter how hard it tried, it could not maneuver the truth And though I would never conjecture I could make a guess, that this feeling won’t pass In a scene up on the roof, I watched the curtains move The night collapsed in photographs then stared at me so cruel The stairs began to quote a phrase, one that I shouldn’t recognize A fountain came from the halls and flooded both my eyes Below the basement, my skin was stiff, I coughed and made my exit I would have called a cab but I couldn’t make a call An ambulance came but I never saw them leave I only caught the night look back at the building and then at me
5.
Theres a window turning purple tonight With its cul-de-sac charm Despite it being bookended By courtrooms and bars Theres a window turning purple tonight Reflecting off Teegarden’s star
6.
mus4 06:42
I got a chance to watch the sun really Rise I got a chance to see it for what it Was A late arrival, in a black dress Fit with a straw hat There’s no repetition in these moments Ricocheting towards the ceiling, merging to The roof Greeting the horizon as an Heirloom While the sun cracked up overseas Caving to midnights unease There won’t be repetition in moments like these I got a chance to watch the sun really rise It come down from its place and slipped into mine I got a chance to see for what it wasn’t
7.
Waking up north of West fourth street Deep in the afternoon With just enough day left To stagger out the room Assembling a silence To break thorough the sirens Song Submerged in vacant lots, next to high fashion cults The buildings dimmed their pulse While laying waste to the sleep deprived sparks That pay rent to Bryant Park Now the remnants of those residents Are closing in on the nights last Serenade Now West fourth invites me over And tells me how its been Laying low near Washington Square Bickering at The Bitter End Where John still plays the hits From 9 PM till Six

about

Songs from our homes, hands and hearts to you.

Love you all,
Griffin and Gabe

credits

released March 11, 2022

All music written, recorded, performed and produced by Griffin Mang and Gabe Huff except where noted.

Music recorded various houses, schools and apartments in multiple states between 2020 and 2022

The Gas Station Folk Band Orchestra:

Matt W - Trumpet
Tyler - Tuba
Harper - Xylophone
moth - Portastudio Technician and Influencer
Mel - Animation
Kate - Merch Table Manager
Hannah - Spiritual Supervisor
Jakob - Resident Cowboy
Hambone - An Absolute Legend
Prof. Matt - Made Things Felt, Not Heard
Rudy - President of Fan Club
Cameron - Management and Friendly Face
Shane - The Voice of Reason
Dash & Caleb - Door Openers
Nick, Brady, Charlie, Blair, TJ, Skye - 1446, 505
JoJo - Anime Advisor
Mothers - Tie-Dyers
Fathers - Musical Influence
Aunt Rebecca - Tour Savior
DBY - Catering
Neighbors - Test Audience
Chet Baker - Secret Crush
Kennedy - Transportation Coordinator
The Midnight Diner - late night entertainment

Lastly, a special thanks to Coda for all the smiles and listening to the demos and early scraps, love ya buddy.

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Yin Waster Chicago, Illinois

Yin Waster is the musical project from Griffin Mang and Gabe Huff. Together the pair craft "Gas Station Folk" a combination of groovy psychedelic riffs and pastoral tenderness that is sure to bring bliss to your ears :-)

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